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IN THE FIELD

PIX & CODEX used daily around the world on small and high budget productions.

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CASE STUDIES

Constantly challenged and in demand, in often extreme conditions.

Let the Data Soar
How PIX Streamlines Production
James Whitaker, ASC, lights the way to the stars in Troop Zero
Working Remotely with CODEX Media Vault
Fraser and Favreau Take the Next Step on The Mandalorian
CODEX Media Vault brings efficiency to collaborative design at KTDC
Capturing RAW on a budget
Streaming Content Deemed Essential
Mandy Walker, ACS, ASC Center Frames a Mythical Tale
Doctor Sleep Revisits Overlook Hotel
X2X, Fotokem deliver efficiency with HDE
Purrfect Timing
Media Vault takes center stage on WHITETAIL
Showing a new side to the Invisible Man
Ford v Ferrari Puts the Viewer in the Cockpit
ACES Update: Past, Present, and Future
Joker Shows Off Visual Power of the A65
Robert Legato, ASC discusses Lion King
Caleb Deschanel, ASC discusses Lion King
Codex Drives Color Pipeline Innovation
Godzilla: King of the Monsters
The Marvel Plates Lab
Hear Me Roar!
A Flying Baby Elephant in the Codex Ring
Crafting a Stark Aesthetic
A Super Colour Update
A World in Miniature
Going to Greater Depths
Venom!
Capturing 1980's Detroit
Two Worlds - Two Formats
Capturing A Micro Superhero
Watch That Scene!
Lighting the Night in Albuquerque
Maintaining Humanity on a Large Scale
Exposing the Dark
Mary Magdalene shot on ALEXA 65
VR meets Cinematography
Altered Images
A Marvel Heavyweight Bout
Framing Crazy Rich Asians
The Wonder of Tech
Capturing a Classic Courtroom Drama
Scaling Up the Spy Genre
Valerian and the City of a Thousand Planets
Making Okja with DIT Dan Skinner
Colour, Noir, and Action in John Wick: Chapter Two
Shedding Light on War
The OA Bridges Two Worlds
Camera Focused
Codex talk to TCS Camera Rentals
True Cinematic Grit
Making Logan
Marvel Contest a Cinematic Future
King Kong gets a 70's Look
A Matter of Life and Death
The Love of Unconvention
Interview: Kavon Elhami - Camtec
Dryburgh Scales New Heights. Making The Great Wall
The Colour of Money
Ticket to Ride
Making Passengers
Küchler photographs world’s fastest human
Reality Check
Making Doctor Strange
Totino's Inferno. Making Inferno
Watching me, watching you.
Making Snowden
Codex workflow revealed on Snowden
What makes ARRI Rental unique?
Social Suicide
Action Cam captures A journey of love for Dream Escape
Android: Monotune
Looking Radiant
All about Radiant Images
Codex Action Cam hits the spot for Garnier
Trick of the Night - The Making of The Land
Savvy Decisions Behind Deadpool’s Box Office Triumph
Heroic Measures for Captain America: Civil War
Grimm Fantasy - The Making of The Huntsman Winter's War
Roman Holiday - The making of Zoolander 2
Light Fantastic - The making of The Revenant
Checco Varese ASC takes Codex deep underground
for The 33
John Mathieson BSC brings to life The Man From U.N.C.L.E
Tom Stern in Africa
Ant-Man Requires A Unique Perspective
Codex Takes The VR Strain
Halo 5 Goes 65
Action Cam in Paris
Hasta La Vista Baby!
The Terminator is back.
ALEXA XT and Action Cam
on The Sum of Histories
Dick Pope painting with
light on Mr Turner
Into the Storm - Blending Found Footage & Cinematic Storytelling
A New Dawn Rises - Michael Seresin on the epic sequel
Birdman Unique Approach
is Rewarded
Shooting ARRIRAW to
Codex Recorders for Ida
Handheld in Hamburg
Safety Deposit box
Cinematographer John Seale captures Mad Max - Fury Road
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